Once Upon a Pallu
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True to its cultural roots, very few
apparels lend themselves to such versatility and grace as the sari does. And when it comes to the ‘sentiment’
that the sari is, we are trekking down time
lines that date back to the birth of crude looms and cruder yarn. Then,
we had muslin that famously ran miles through a ring. Now, our Kancheepuram
silk gives any
ring a run for its money. Every nook
of India brings out treasures that drape our ladies in yarns and styles that lend them a distinctiveness which is sometimes earthy,
sometimes opulent, every fibre, always, inspiring deep sentiments in all who
surround them.
We are rarely aware of it and there is
no written rule to this effect anywhere, but there is always a story lying
there in those folds which bear different names, each carrying a significance,
all of its own. If the ghoonghat is demure incarnate, a bride’s jewel,
a solemn
lineage and sanctifies Indian deference, a mother’s aanchal* is the go-to panacea for all ail. It
is an impenetrable fortress for the terrified ragamuffin hiding from impending
danger, be it wicket-walloping off cricketing streets or a high volume domestic
flare-up. This matchless power of a screen of fabric is deeply ingrained in
every childhood memory in a generation that saw mothers as the first and last
resort to anything. This palliative pallu fanned every heat away. It wiped
all the tears. It was the antidote to every wound. And when a little girl
decided, one day, to act all grown up, “just like ma”, she wound her mum’s sari around her little self and let the
world know.
That’s the sari for you. An enduring identity. An
essence of security. A paean to ethereal poise. And a quiet contentment that
unites times. It was never just a drape. Sentiments are never so simple.
Next in the series: Six Yards of Simmering Svelte
Previously: The Whole Nine Yards
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